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You can hear
this unusual instrument in the Audio Page and also in the All for Music page The stops marked with a + were
never installed, although pipework exists for most of
them. Stops marked with
* & ** were
installed, but some of the electronics and the bells were my personal property,
and so had to be removed when I left
| GREAT |
SWELL |
CHOIR |
PEDAL |
| Double Diapason |
16' |
+Bourdon |
16' |
+Viola |
8' |
**Double Open Wood |
32' |
| Bourdon |
16' |
Diapason |
8' |
Rohr Flute |
8' |
**Subbass |
32' |
| Open Diapason I |
8' |
Doppelflute |
8' |
+Unda Maris |
8' |
**Open Wood |
16' |
| +Open Diapason II |
8' |
+Flute Celeste |
8' |
Principal |
4' |
Open Metal |
16' |
| Geigen |
8' |
Salicional |
8' |
Koppel Flute |
4' |
Violone |
16' |
| Hohl Flute |
8' |
Voix Celestes |
8' |
Nazard |
2 2/3' |
Bourdon |
16' |
| Stopped Diapason |
8' |
Principal |
4' |
Block Flute |
2' |
Quintbass |
10 2/3' |
| Quint |
5 1/3' |
+Nason Flute |
4' |
Tierce |
1 3/5' |
Octave |
8' |
| Octave |
4' |
Flautina |
2' |
Larigot |
1 1/3' |
Cello |
8' |
| Prestant |
4' |
Mixture |
III |
+Sifflote |
1' |
Bass Flute |
8' |
| Wald flute |
4' |
+Terzymbel |
III |
+None |
8/9' |
Fifteenth |
4' |
| Twelfth |
2 2/3' |
+Cornet |
II |
+Cymbel |
III |
Flute |
4' |
| Fifteenth |
2' |
Fagotto |
16' |
Trompeta |
16' |
Hohl Flute |
2' |
| Fourniture |
V |
Trompette |
8' |
Dulzian |
16' |
Mixture |
VI |
| Acuta |
III |
Hautbois |
8' |
Trompeta |
8' |
**Serpent |
32' |
| Cornet |
IV |
Voix Humaine |
8' |
Clarinet |
8' |
**Fagotto |
32' |
| +Septerz |
II |
Quint Trumpet |
5 1/3' |
+Orchestral Oboe |
8' |
Bombarde |
16' |
| Trompeta |
4' |
Clairon |
4' |
+Krummhorn |
8' |
Trompeta |
16' |
| Trompeta |
8' |
Tremulant |
|
Clarines |
4' |
**Fagotto |
16' |
| Clarines |
4' |
Octave |
|
+Tuba |
8' |
**Dulzian |
16' |
| Swell to Great |
|
|
|
*Cymbelstern |
|
Bombarde |
8' |
| Positive to Great |
|
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+Rossignol |
|
Trompeta |
8' |
|
|
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Tremulant |
|
Clarines |
4' |
|
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Swell to Positive |
|
**Schalmei |
4' |
| Coupling System |
|
Electronic Stops |
|
Octave |
|
Clarines |
2' |
| AJ&L Taylor TMS 9000 |
|
Makin |
|
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Great to Pedal |
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Choir to Pedal |
|
| Action |
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Amplification |
|
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Swell to Pedal |
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| Electropneumatic & Direct |
|
Stephen Hamill |
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ACCESSORIES |
| Thumb Pistons |
Toe Pistons |
Miscellaneous |
Midi (not yet fully implemented) |
| Swell |
1-8 |
Swell / General |
8 |
Department levels |
8 |
Record |
|
| Great |
1-8 |
Pedal |
8 |
Levels for 16 pistons A-P |
128 |
Replay |
|
| Positive |
1-8 |
|
|
Sequencer with inserts |
|
Assignable outs for |
|
| General (Dept Level) |
1-8 |
Reversibles |
|
Tutti momentary (blind) |
1 |
each keyboard |
|
| General (Gen level +Seq) |
A-P |
Swell - Great |
1 |
Tutti (not blind) |
3 |
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Reversibles |
|
Great - Pedal |
1 |
Ventils |
4 |
BACK TO ORGAN
LOFT |
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| All Couplers |
|
Assignables |
|
Settable 60 stage Crescendos |
4 |
|
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| 32' Subbass |
|
32S/32CF/Adv/Tutti1/T2 |
1 |
timer programmable up&down |
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ON TO
HISTORY |
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32OW/32SB/Adv/Pr/SpFns |
1 |
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| Console Electronics - Solid State Logic with
Custom interfaces and additional user accesories by Stephen Hamill |
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